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Il est également connu pour jouer le rôle de Max Zander dans la série Le Clown. Il a joué plusieurs fois dans la série Alerte Cobra. Sven Martinek. Cool ist, was gefГ¤llt – und nicht, was gefallen soll. kulturnews: WofГјr steht denn der Titel Doch eine physische VerГ¶ffentlichung war ГјberfГ¤llig. (cs) Crazy Clown Time Als SГ¤nger und Vordenker von Deerhunter verГ¶ffentlicht. Il est également connu pour jouer le rôle de Max Zander dans la série Le Clown. Il a joué plusieurs fois dans la série Alerte Cobra. Sven Martinek.

Il est également connu pour jouer le rôle de Max Zander dans la série Le Clown. Il a joué plusieurs fois dans la série Alerte Cobra. Sven Martinek. Il est également connu pour jouer le rôle de Max Zander dans la série Le Clown. Il a joué plusieurs fois dans la série Alerte Cobra. Sven Martinek. Cool ist, was gefГ¤llt – und nicht, was gefallen soll. kulturnews: WofГјr steht denn der Titel Doch eine physische VerГ¶ffentlichung war ГјberfГ¤llig. (cs) Crazy Clown Time Als SГ¤nger und Vordenker von Deerhunter verГ¶ffentlicht.

Clown überfälle Video

Clown überfälle Video

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Champions role-playing game Wikipedia - English. Champions is a role-playing game published by Hero Games designed to simulate a stereotypical superhero comic book world.

Help Disable Autocomplete. Noun Verb. Noun 1. Detail Try one more! The clown. I mean a cute clown. Do you really know who Mad Clown is?

Do you know Mad Clown? And Mad Clown. Can't find the meaning you're looking for? Please check the search results page for more meanings.

Clown Wikipedia - English A clown is a comic performer who employs slapstick or similar types of physical comedy, often in a mime style. Champions role-playing game Wikipedia - English Champions is a role-playing game published by Hero Games designed to simulate a stereotypical superhero comic book world.

The clown character as developed by the late 19th century is reflected in Ruggero Leoncavallo 's opera Pagliacci Clowns.

Belling's Auguste character was further popularized by Nicolai Poliakoff 's Coco in the s to s. In the early 20th century, with the disappearance of the rustic simpleton or village idiot character of everyday experience, North American circuses developed characters such as the tramp or hobo.

Another influential tramp character was played by Otto Griebling during the s to s. Red Skelton 's Dodo the Clown in The Clown , depicts the circus clown as a tragicomic stock character, "a funny man with a drinking problem".

The Bozo Show premiered in and appeared nationally on cable television in Willard Scott , who had played Bozo during —, performed as the mascot in television spots.

The McDonald's trademark application for the character dates to Based on the Bozo template, the US custom of birthday clown, private contractors who offer to perform as clowns at children's parties, developed in the s to s.

The strong association of the Bozo -derived clown character with children's entertainment as it has developed since the s also gave rise to Clown Care or hospital clowning in children's hospitals by the mid s.

Clowns of America International established and World Clown Association established are associations of semi-professionals and professional performers.

The shift of the Auguste or red clown character from his role as a foil for the white in circus or pantomime shows to a Bozo -derived standalone character in children's entertainment by the s also gave rise to the evil clown character, the attraction of clowns for small children being based in their fundamentally threatening or frightening nature.

The classical pairing of the White Clown with Auguste in modern tradition has a precedent in the pairing of Pierrot and Harlequin in the Commedia dell'arte.

Originally, Harlequin's role was that of a light-hearted, nimble and astute servant, paired with the sterner and melancholic Pierrot.

In the 18th-century English Harlequinade , Harlequin was now paired with Clown. As developed by Joseph Grimaldi around , Clown became the mischievous and brutish foil for the more sophisticated Harlequin, who became more of a romantic character.

The most influential such pair in Victorian England were the Payne Brothers, active during the s and s. The white clown , or clown blanc in French, is a sophisticated character, as opposed to the clumsy Auguste.

The Auguste face base makeup color is a variation of pink, red, or tan rather than white. Features are exaggerated in size, and are typically red and black in color.

The mouth is thickly outlined with white called the muzzle as are the eyes. Appropriate to the character, the Auguste can be dressed in either well-fitted garb or a costume that does not fit — oversize or too small, either is appropriate.

Bold colors, large prints or patterns, and suspenders often characterize Auguste costumes. The Auguste character-type is often an anarchist, a joker, or a fool.

He is clever and has much lower status than the whiteface. Classically the whiteface character instructs the Auguste character to perform his bidding.

The Auguste has a hard time performing a given task, which leads to funny situations. Sometimes the Auguste plays the role of an anarchist and purposefully has trouble following the whiteface's directions.

Sometimes the Auguste is confused or is foolish and makes errors less deliberately. The contra-auguste plays the role of the mediator between the white clown and the Auguste character.

He has a lower status than the white clown but a higher status than the Auguste. He aspires to be more like the white clown and often mimics everything the white clown does to try to gain approval.

If there is a contra-auguste character, he often is instructed by the whiteface to correct the Auguste when he is doing something wrong.

There are two major types of clowns with whiteface makeup: The classic white clown is derived from the Pierrot character.

His makeup is white, usually with facial features such as eyebrows emphasized in black. He is the more intelligent and sophisticated clown, contrasting with the rude or grotesque Auguste types.

Francesco Caroli and Glenn "Frosty" Little are examples of this type. The second type of whiteface is the buffoonish clown of the Bozo type, known as Comedy or Grotesque Whiteface.

This type has grotesquely emphasized features, especially a red nose and red mouth, often with partial mostly red hair.

In the comedic partnership of Abbott and Costello , Bud Abbot would have been the classic whiteface and Lou Costello the comedy whiteface or Auguste.

Traditionally, the whiteface clown uses clown white makeup to cover the entire face and neck, leaving none of the underlying natural skin visible.

Whiteface makeup was originally designed by Joseph Grimaldi in He began by painting a white base over his face, neck and chest before adding red triangles on the cheeks, thick eyebrows and large red lips set in a mischievous grin.

Grimaldi's design is used by many modern clowns. According to Grimaldi's biographer Andrew McConnell Stott, it was one of the most important theatrical designs of the s.

America's first great whiteface clown was stage star George "G. Following English Joseph Grimaldi , Fox popularised the Humpty Dumpty stories throughout the land in the first half of the 19th century in America.

The character clown adopts an eccentric character of some type, such as a butcher, a baker, a policeman, a housewife or hobo.

Prime examples of this type of clown are the circus tramps Otto Griebling and Emmett Kelly. The character clown makeup is a comic slant on the standard human face.

Their makeup starts with a flesh tone base and may make use of anything from glasses, mustaches and beards to freckles, warts, big ears or strange haircuts.

The most prevalent character clown in the American circus is the hobo , tramp or bum clown.

There are subtle differences in the American character clown types. The primary differences among these clown types is attitude.

According to American circus expert Hovey Burgess , [ where? The World Clown Association is a worldwide organization for clowns, jugglers, magicians, and face painters.

It holds an annual convention, mainly in the United States. Clowns of America International is a Minnesota-based non-profit clown arts membership organization which aims "to share, educate, and act as a gathering place for serious minded amateurs, semiprofessionals, and professional clowns".

In the circus, a clown might perform other circus roles or skills. Clowns may perform such skills as tightrope , juggling , unicycling , Master of Ceremonies , or ride an animal.

Clowns may also "sit in" with the orchestra. Other circus performers may also temporarily stand in for a clown and perform their skills in clown costume.

Frameworks are the general outline of an act that clowns use to help them build out an act. Shows are the overall production that a clown is a part of, it may or may not include elements other than clowning, such as in a circus show.

Clown Stops or interludes are the brief appearances of clowns in a circus while the props and rigging are changed. These are typically made up of a few gags or several bits.

Clown stops will always have a beginning, a middle, and an end to them, invariably culminating in a blow-off. These are also called reprises or run-ins by many, and in today's circus they are an art form in themselves.

Originally they were bits of business usually parodying the preceding act. If for instance there had been a tightrope walker the reprise would involve two chairs with a piece of rope between and the clown trying to imitate the artiste by trying to walk between them, with the resulting falls and cascades bringing laughter from the audience.

Today, interludes are far more complex, and in many modern shows the clowning is a thread that links the whole show together. Among the more well-known clown stunts are: squirting flower; the too-many-clowns-coming-out-of-a-tiny-car stunt; doing just about anything with a rubber chicken , tripping over one's own feet or an air pocket or imaginary blemish in the floor , or riding any number of ridiculous vehicles or clown bikes.

Individual prop stunts are generally considered individual bits. The Italian Pagliacco of c. Joseph Grimaldi as Clown, showing his own make-up design.

From Wikipedia, the free encyclopedia. A comic performer often for children's entertainment. This article is about the comic performer.

For other uses, see Clown disambiguation. Play media. Main article: Circus clown. This section needs additional citations for verification.

Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

Further information: Circus clown. Further information: Harlequinade. North Frisian klönne and kluns , also meaning clumsy person.

An alternative proposal derives clown from Latin colonus "colonist, farmer". The verb to clown "to play the clown onstage" is from about Some found them quite frightening and unknowable.

New Scientist. United Kingdom: Reed Business Information. Retrieved The Journal of American Folklore. Dozier The Pueblo Indians of North America.

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